Theodore Buchholz, Robert Jesselson

The Cellist's Guide to Scales and Arpeggios

A Comprehensive, Systematic, Sequential Approach

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Demo 1

Demo 2

para:
Violoncelo
Edição:
Livro didático (com partituras), áudio online
№ do artigo:
1712163
Autor / Compositor:
Dificuldade:
fácil
Idioma:
inglês
Âmbito:
140 Páginas; 23 × 30,5 cm
Ano de publicação:
2024
Editora / Fabricante:
N.º do fabricante:
31153M
ISBN:
9781513478449

Descrição

The Cellist’s Guide to Scales and Arpeggios is intended for cellists of all ages, experience, and ability levels, including teachers, students, amateurs, and professionals.

This book offers a thorough, sequential syllabus of cello scales and arpeggios. The authors start with the most basic one-octave scales and work through a variety of systems, including some of the most complex scales a cellist might ever encounter. There are virtually no other publications that provide a complete and sequential guide for cellists.

Along with the printed and electronic versions of the book, this 140-page sourcebook includes a unique assortment of drones to help with intonation. In addition, there are 41 instructional videos accessible through QR codes. These demonstrate various cello techniques, including ways to tune, extensions, shifting, coordination exercises, velocity studies, and much more.

It’s almost like having two university-level cello teachers with you in your practice room, showing you how to achieve a beautiful tone and precise intonation through scales and arpeggios.

Conteúdo

  • PART I: INTRODUCTION
  • Preface: Why Another Scale Book?
  • The Sequential Plan for Learning and Practicing Scales
  • How to Use the Drones
  • PART II: BEGINNING SCALES
  • Chapter 1 - The First Scales and Arpeggios
  • The First Scales and Arpeggios: C, G, D, and F
  • Backward Extension Scales: Bf and Ef Major
  • Forward Extension Scales: A and D (Lower Octave) Major and D Major (Two Octaves)
  • PART III: PREPARATION FOR INTERMEDIATE SCALES AND ARPEGGIOS
  • Chapter 2 - The Right Arm
  • The Three Principles of Tone Production
  • Maintaining a Consistent Contact Point
  • Core Sound
  • Block of Sound
  • Relaxation and Good Body Mechanics
  • Upper Arm/Lower Arm
  • Elbow Arc
  • Balance and Left/Right Motion (“Contrary Motion”)
  • Important Rules for Controlling Sound
  • Chapter 3 - The Left Arm
  • Left-Hand Positions
  • Diagram of Cello Positions
  • Extensions
  • The Five-Step Process for Training Extensions
  • Chapter 4 - Intonation
  • Helpful Ways to Improve Intonation
  • Checking Intonation with Open Strings
  • The Jesselson “Five-Step Process for Playing in Tune”
  • Three Tuning Systems
  • PART IV: INTERMEDIATE SCALES
  • Chapter 5 - Pre-Feuillard Two-Octave Major Scales and Arpeggios
  • “1, 2, and 4-to-a-Bow” and Off-the-String Bowing Variations
  • Chapter 6 - Two-Octave Scales and Arpeggios Based on the Feuillard Systems
  • Chapter 7 - Two-Octave Scales and Arpeggios: The Next Steps
  • Bow Distribution
  • Four Basic Bow Distribution Exercises
  • Frog and Tip Bow Coordination Exercises
  • Shifting
  • One-Finger Scales on One String
  • Over-Extensions
  • Ghost Shifts
  • Chapter 8 - The “Mary” System
  • Chapter 9 - Thumb-Position One-Octave Scales and Arpeggios
  • Establishing Thumb Position
  • Interval Spacing Between the Fingers in Thumb Position
  • Bow Intonation
  • PART V: ADVANCED SCALES
  • Chapter 10 - Three-Octave Scales and Four-Octave Arpeggios Based on the Feuillard Systems
  • Descending New-Finger Shifts
  • Thumb Placement
  • Bowing Variations
  • Chapter 11 - Scales on One String
  • One-Octave Scales on One String
  • Two-Octave Scales on One String
  • Two-Finger Two-Octave Scale on One String
  • Three-Finger Two-Octave Scale on One String
  • Two-Octave Arpeggios on One String
  • Chapter 12 - The “Around and Around” System
  • Chapter 13 - Universal Fingering System
  • Two-Octave Major and Minor Scales with the Universal Fingering
  • Two-Octave Arpeggios with the Universal Fingering
  • Three-Octave Scales with the Universal Fingering
  • Three and Four-Octave Arpeggios with the Universal Fingering
  • Chapter 14 - The Galamian System
  • Buchholz Variation
  • Lucktenberg Bowing and Rhythm Variations
  • Chapter 15 - Velocity Scales
  • Chapter 16 - The Fourth Octave
  • Chapter 17 - Chromatic, Whole-Tone, Octatonic, and Quarter-Tone Scales
  • Chromatic Scales
  • Whole-Tone Scales
  • Octatonic Scales
  • Quarter-Tone Scales
  • Chapter 18 - Thumb-Position Tetrachord Scales
  • Thumb-Position Scales Using Tetrachords
  • Thumb-Position Modal Scales
  • PART VI: SCALES IN DOUBLE STOPS
  • Chapter 19 - Introduction to Double-Stop Scales
  • Just Intonation
  • Six Double-Stop Bowing Variations
  • Chapter 20 - Scales in Sixths
  • One-Octave Major Scales in Sixths
  • Gordon Epperson’s Fingerings for Two-Octave Major Scales in Sixths
  • Richard Aaron’s Major and Minor Scales in Sixths with a Universal Fingering
  • Three-Octave Major Scales in Sixths
  • Chapter 21 - Scales in Thirds
  • Chapter 22 - Scales in Octaves
  • PART VII: OTHER SCALE SYSTEMS
  • Chapter 23 - Other Scale Systems
  • Bibliography
  • Appendix A - Answer Key for the Pre-Feuillard System
  • Appendix B - Answer Key for the Feuillard Two-Octave System
  • Appendix C - Instructional Videos
  • Appendix D - Drones
  • Acknowledgements
  • About the Authors
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