Conteúdo
- I. Preliminary
- II. Further Preliminary Work
- III. The Scale
- IV. The Major Scale Continued
- V. Intervals
- VI. Intervals Continued
- VII. Further Consideration of Intervals
- VIII. Triads
- IX. Common Chords
- X. Common Chords in Succession
- XI. Harmonizing a Melody
- XII. Harmonizing a Melody Continued
- XIII. The First Inversion
- XIV. Second Inversion Continued
- XV. Degree Names-The Second Inversion
- XVI. Second Inversion Continued
- XVII. Cadences
- XVIII. Harmonizing Melodies Resumed
- XIX. The Minor Scale
- XX. Harmony in the Minor
- XXI. Harmony in the Minor Continued
- XXII. The Figured Bass
- XXIII. The Figured Bass Continued
- XXIV. Melodies and Figures
- XXV. Freer Use of Chords and Inversions
- XXVI. Additional Uses of the Second Inversion
- XXVII. The Dominant Seventh Chord
- XXVIII. Inversions of the Dominant Seventh Chord
- XXIX. Further Uses of the Dominant Seventh Chord-Sequences
- XXX. On Melody Making